Biomedicine on Display

Medical museums are usually full with old and new medical science instruments. But they tend to be kept in storage because it is difficult to display them in a meaningful way. It’s much easier to put moulages, pickled organs and surgical instruments on show. Medical science instruments usually need truckloads of description and contextualisaton to make sense in museum displays. (Probably because they don’t ‘talk’, some people would say :-)

Neither do many museum curators give much thought to the historicity of their display techniques. How have display practices changed over time and how do these practices reflect museum culture, politics and technologies?

Such question wil hopefully be discussed at the 29th symposium of the Scientific Instrument Commission, which will be held in Firenze, 4-9 October 2010 on the theme ‘Instruments on display’, i.e., how instruments have been presented in scientific collections, museums and permanent and temporary exhibitions throughout modern history up to the present:

Did didactic, scientific, celebrative, propagandistic and rhetorical considerations significantly influence the manner of displaying instruments? How were instruments presented in a Wunderkammer of the Renaissance, in a 18th-century cabinet or in a 19th-century exhibition? How and why are they shown in contemporary science museums?

This year’s symposium is sponsored and organized by Istituto e Museo di Storia della Scienza (Museo Galileo) and Fondazione Scienza e Tecnica. The meeting is open to “anyone interested in the history, preservation, documentation of use of scientific instruments”, whether academic scholars, curators, collectors or students.

Send abstract before 1 June, 2010 by filling in this template.
More info on the symposium website.

Speaking about Jim Edmonson and the Dittrick Museum (i.e., the medical museum at Case Western Reserve University in Cleveland), I’ve forgotten to tell you that they have just launched an institutional blog called — ‘Dittrick Museum’. Follow it here. Welcome to the medical museum blog sector!

The 23rd Nordic Medical History Congress will be held in Oslo, 25-27 May 2011. Contact Olav Hamran, Norwegian National Medical Museum (medisin@tekniskmuseum.no) for more info.

Just saw the early spring Monday seminar program at UCL’s STS department. I like the nice British analytical touch to it. Much more interesting than the usual fashionable Latouresque ANTsemiotics and other STS’ese sociolects. For example:

• Jeremy Howick, ‘When can we trust the experts? Defending the Evidence Based Medicine stance’, 25 January
• David Healy, ‘They used to call it Medicine’, 1 February
• Sam Schweber, ‘Writing the Biography of Hans Bethe’, 8 February
• Jane Gregory, ‘Producing the post-Fordist public, or: What is Science Communication for in a post-industrial society?’, 22 February
• Helena Sheehan, ‘What (if anything) has Marxism to contribute to science studies?’, 8 March
• Jeff Hughes, ‘Before the bomb: on writing the history of unclear physics’, 22 March

Wish I were in London more often, would love to discuss production of a post-Fordic public or hear Jeff unfold his ideas about ’unclear physics’ (no typo, it’s an intended joke, says Jon Agar, who sent the programme around).

This is the last part of my project description for the Ph.D.-project called “A genealogical study of the concept of ’successful aging’ and its relation to the idea of ‘human enhancement”. See the first two parts here and here.

 ’Successful aging’ in the neurosciences and the link to ‘cognitive enhancement’
In order to narrow the problem field, the project will look closely at how the notion of ‘successful aging’ has been understood and defined in the field of neuroscience in the last decades, and how ‘successful cognitive aging’ has played together with discussions — both in the scientific literature, in science policy documents and in general public discourse — about the possibility for so called ‘cognitive enhancement’ (‘neuro-enhancement’) [12][13][14][17]. Both in the scientific literature and in policy documents on ‘successful aging’ and ‘human enhancement’, the neurosciences are considered as the primary field of research; neuroscience also figures prominently in the corresponding public discourse [7][21][23], cf. [25]. The brain and cognition are ascribed significant cultural value in the emerging ‘knowledge society’; healthy cognitive abilities are considered necessary for a life-long contribution to the labour market and for well-being in everyday life, and not surprisingly some of the exponents for the notion of ‘knowledge society’ are also exponents for ‘converging technologies’ [17][21].

Current developments in the field of aging research also have strong discursive links to cognitive enhancement. As the aforementioned EU parliament study argues: “The growing problem of neurodegenerative diseases in ageing societies has turned research and development in therapeutic cognitive enhancers into a very dynamic field with significant resources” [21:26]. Likewise, in enhancement discussions special attention is being ascribed to cognitive enhancement: “’neuro/ brain enhancement’ as a research field stands at the centre of the CT [converging technologies] debate. It attracts the largest share of attention due to its plans to simulate and manipulate brain processes, which – if realized successfully – could directly affect our concepts of the human self and identity” [17:382], cf. [21][23][25]. Also here there may be a significant aspect of user-driven innovation: medications developed in research into age related diseases like Alzheimer’s disease is already being used by young, healthy individuals to (presumably) enhance their cognitive abilities [14][17][21], and, conversely, one could therefore expect that the market for cognitive enhancement may stimulate research in the prevention and treatment of age-related neurodegenerative diseases.

These interconnected arenas of aging research, enhancement discourse and general ideas about successful aging will be the focus point of this project. The point of departure is that the connection between the discussion about successful aging and the discussion about human enhancement has been overlooked in the scientific literature and that the two discourses are more closely related than usually presumed. Shedding light on the historical relation between the two notions both in the scientific and popular discourses will potentially have significant consequences for future research, for research politics and for the public understanding of successful aging.

References:
7. Kirk, H. (2008). Med hjernen i behold – Kognition, træning og seniorkompetencer. København: Akademisk Forlag.
12. Balling, G. (2002) (ed.). Homo Sapiens 2.0. Når teknologien kryber ind under huden. København: Gads Forlag.
13. Balling, G og Lippert-Rasmussen, K. (2006). Det menneskelige eksperiment. København: Museum Tusculanums Forlag.
14. Greely et al. (2008). Towards responsible use of cognitive-enhancing drugs by the healthy. Nature, 456, 702-705.
17. Beckert, B., Blümel, C and Friedewald, M (2007). Visions and realities in converging technologies. Innovation: The European Journal of Social Science Research, 20(4), 375-395.
21. European Parliament Science and Technology Options Assessment (2009). Human Enhancement Study. Awailable at http://www.europarl.europa.eu/stoa/publications/studies/stoa2007-13_en.pdf (14.08.09)
23. http://www.humanityplus.org/read/2009/07/human-enhancement-what-should-be-permitted-geneva-october-20-21-2009/ (14.08.09)
25. Dumit, Joseph (2004). Picturing Personhood. Brain Scans and Biomedical Identity. Princeton: Princeton University Press

This is the second part of my project description for the Ph.D.-project called ‘A genealogical study of the concept of ’successful aging’ and its relation to the idea of ‘human enhancement’. See the first part here.

The relation between ’successful aging’ and ‘human enhancement’
The project will particularly focus on an analysis of the possible connection between ideas about the prevention and treatment of age-related diseases, on the one hand, and the current merging discourse on ‘human enhancement’, on the other. Like ‘successful aging’, the notion of ‘human enhancement’ — including a large variety of different ideas about the future possibilities for technological improvements of human bodies — became widely spread in the 1980’s and 1990’s [11][12][13][14].

A preliminary survey of the literature indicates that the notions of ‘successful aging’ and ‘human enhancement’ often seem to appear together in the scientific literature and in medical and health policy documents. For example both the European Union (EU) and the National Science Foundation (NSF) have published reports that deal with so called ‘converging technologies’, usually defined as a convergence of nano-, bio-, info-, and cogno-sciences and technologies (NBIC). In such reports, the notion of ‘human enhancement’ is a central concept, around which the discussion of the aging population in the developed countries revolves [15][16][21], cf. also [17][18][19][20]. As a study commissioned by the EU Parliament says, “it is safe to say that a side effect of the fast-growing research and development into pharmaceuticals for age-related neurodegenerative diseases will be a number of new drugs which can be used for the enhancement of performance of young, healthy people.” [21:7]

Similarly, in a large number of websites and blogs published by organisations and individuals that support and promote the notion of ‘human enhancement’, the possibility for using such technologies as life extension devices and for delaying age-related physical and/or cognitive decline constitutes one of the central arguments for developing enhancement technologies [11][22]. Websites that express the opinions of the so called transhumanist (posthumanist) movement is one of the most vociferous exponents of this argument. Both these pro-enhancement advocates and science policy reports (like the EU parliament study and the NSF reports) emphasize the fact that the biomedical sciences, biotechnologies and medicotechnical technologies are increasingly producing new technologies capable of simultaneously enhancing the capacities of healthy people and treating diseases, especially age-related diseases [16][21][23]. Thus the discourse about ‘human enhancement’ and ‘successful aging’ are discursively intimately connected.

In addition, this integration of the ‘human enhancement’ and ‘successful aging’ discourses seem to have a strong element of user involvement. The strong ideological commitment to the integration between the two notions among individuals that view themselves as members of a loose ‘transhumanist’ intellectual movement is probably the best example of user involvement. It is unclear, however, to what extent the scientific community, the ‘transhumanist’ intellectual movement and the public at large differ with respect to an active commitment to integrating the two notions. However, I will suggest that the increasing use of performance-enhancing drugs in the general population (especially among young people) and the increasing dissemination of pro-enhancement policies and visions that challenge traditional views of the use of medicine both work in favour of a similar integration between the two notions.

Furthermore one might expect that the general and widely spread popular attitude to performance-enhancing drugs in Western cultures is an underlying Zeitgeist which supports the current political, scientific (and ethical) discussions about the integration of the two notions in the ‘transhumanist’ movement and among scientists. Finally, one might also expect that such popular attitudes will effect strategic market evaluations in the pharmaceutical industry and thus spill over to strategies for future drug pipelines. In all these respects, the integration of the notions of ‘human enhancement’ and ‘successful ageing’ may well be framed with reference to broader user involvement and user driven innovation (cf. [14][15][16][21][24]). These are preliminary hypotheses only, however, which need further empirical substantiation.

References:
11. Bostrom, N. (2005). A History of Transhumanist Thought. Journal of Evolution and Technology, 14(1).
12. Balling, G. (2002) (ed.). Homo Sapiens 2.0. Når teknologien kryber ind under huden. København: Gads Forlag.
13. Balling, G og Lippert-Rasmussen, K. (2006). Det menneskelige eksperiment. København: Museum Tusculanums Forlag.
14. Greely et al. (2008). Towards responsible use of cognitive-enhancing drugs by the healthy. Nature, 456, 702-705.
15. Roco, M and Bainbridge, W (2002) (eds.). Converging Technologies for Improving Human Performance. NSF/DOC-sponsored report. Awailable at http://www.wtec.org/ConvergingTechnologies/Report/NBIC_report.pdf. (29.05.2009)
16. Innovation: The European Journal of Social Science Research, 20(4) (December 2007). Special Issue: Converging Science and Technologies: Research Trajectories and Institutional Settings.
17. Beckert, B., Blümel, C and Friedewald, M (2007). Visions and realities in converging technologies. Innovation: The European Journal of Social Science Research, 20(4), 375-395.
18. Det Strategiske Forskningsråd (2006). Det aldrende samfund 2030 – Rapport fra Styregruppen for det strategiske fremsyn om det aldrende samfund 2030. Awailable at http://fi.dk/publikationer/2006/det-aldrende-samfund-2030-rapport-fra-styregruppen/det-aldrende-samfund-2030.pdf (29.05.2009)
19. Murphy, T. F.(1986). A cure for aging? The Journal of Medicine and Philosophy, 11(3): 237-255
20. Veatch, R.M. (1979). Life Span: the Hastings Center report on values and life-extending technologies. New York: Harper and Row.
21. European Parliament Science and Technology Options Assessment (2009). Human Enhancement Study. Awailable at http://www.europarl.europa.eu/stoa/publications/studies/stoa2007-13_en.pdf (14.08.09)
22. http://www.humanityplus.org/learn/philosophy/transhumanist-values (14.08.09)
23. http://www.humanityplus.org/read/2009/07/human-enhancement-what-should-be-permitted-geneva-october-20-21-2009/ (14.08.09)
24. Maher, Brendan (2008). Poll results: Look who’s doping. Nature, 452, 674-675

I’ve just begun my ph.d.-project here at Medical Museion. Titled ”A genealogical study of the concept of successful aging and its relation to the idea of human enhancement”, the project is financed by the new Center for Healthy Aging at the Faculty of Health Sciences.

Below is the first part of the project description concerning the notion of successful aging. In two following parts I will first introduce the possible relation between successful aging and human enhancement, and then my attempt to narrow the project to cognitive aspects of ageing and cognitive enhancement. Comments to one or all three parts are much appreciated.

The genealogy of the notion of ’successful aging’
At present there is much focus on the notion of successful aging (healthy aging, optimal aging) in Denmark and other developed countries. The increasing life expectancy of the population in combination with low birth rate and low rate of immigration gives rise to both political and economic concerns about the future maintenance of the living standards for an aging workforce. The increasing number of elderly people gives rise to new demands for developing new knowledge about how individuals can live a healthy life and remain healthy, even in old age.

The notion of ‘successful aging’ is not new. It can in fact be traced back to at least the 1960’s and became ubiquitous in the field of aging research in the 1980′ and 1990’s [1][2][3][4][5]. The dissemination of the notion is connected to a development trend in aging research, whereby scientists gradually changed their understanding of aging as a research object for gerontological/geriatric research. From primarily being concerned with the treatment of diseases in later part of a life course to an increased focus on disease prevention and to a broader public health oriented approach to aging involving several different scientific fields, also beyond the biomedical sciences [4][6], cf. [7].

The aim of this project is to undertake a genealogical study[8][9] of the development of the notion of successful aging from the increased focus on prevention in the middle of the 1980’s until today. The literature on the subject is sparse, consisting of a few short chapters with an overview of the historical development of age research, cf. [6][10]. A more detailed historical study of this development based on the primary literature (scientific articles, textbooks, policy documents, etc.), is supposedly going to produce a deeper and better understanding of the notion of successful aging, which in turn will help qualify the current scientific and public discussions about the prevention and treatment of age-related diseases. The study will thus hopefully also help identify some of the conditions that may influence future understandings of what ‘successful aging’ is and the ways in which the future research in the field might develop.

References:
1. Williams, Richard H., and Wirth, Claudine, G. (1965). Lives through the years: styles of life and successful aging. New York: Prentice-Hall.
2. Rowe, J. W. and Kahn, R. L. (1987). Human Aging: Usual and Successful. Science, 237: 143-149.
3. Rowe, J. W. and Kahn, R. L. (1998). Successful aging. USA: Pantheon Books.
4. Baltes, P. B. and Baltes, M. M. (1990) (eds.). Successful aging: Perspectives from the behavioral sciences. Cambridge, UK: Cambridge University Press.
5. Bond, L. A., S. J. Cutler, and A. Grams (1995). Promoting Successful and Productive Aging. Thousand Oaks, CA: Sage Publications, Inc.
6. Amstrup, K og Poulsen, I. (2007). Geriatri – en tværfaglig udfordring. København: Munksgaard Danmark.
7. Kirk, H. (2008). Med hjernen i behold – Kognition, træning og seniorkompetencer. København: Akademisk Forlag.
8. Villadsen, K. (2006). Genealogi som metode: fornuftens tilblivelseshistorier. Kaspar Villadsen & Ole Bjerg (2005) (eds.). Sociologiske metoder: Fra teori til empiri i kvalitative og kvantitative studier. Frederiksberg: Samfundslitteratur.
9. Foucault, Michel (1992). The archaeology of knowledge. London: Routledge.
10. Bengtson, V.L. and Schaie, K.W (1999) (eds.). Handbook of Theories of Aging. New York: Springer Publishing Company, inc.

A couple of friends who know about my interest in the history of disease recently gave me a historical syringe as a gift. They bought it in a flea marked, so unfortunately I don’t have any information about its provenance. Ion Meyer (conservator and head of collections here at the Medical Museion) suggests, with some help from catalogues of medical equipment, that it might have been made in 1940’s or 1950’s, but unfortunately we could not get any closer.

And this is where you, dear reader, might be of assistance:

• Where and when is it from?
• How common was this particular type of syringe?
• When did it go out of style?

The syringe is marked JS and is easily dismantled as seen below.

This quiz will continue until January 31. There will be a small prize (a guided tour of Medical Museion by yours truly) to the person that can give me the most detailed story about the syringe. The winner will be elected by a judging panel assembled for the occasion and announced on 1 February. Good luck!

Here’s the announcement for a cross-disciplinary conference to be held here at Medical Museion next September:

The 15th biannual conference of the European Association of Museums for the History of Medical Sciences (EAMHMS) will be held at the University of Copenhagen, 16–19 September, 2010.

This year’s conference focuses on the challenge to museums posed by contemporary developments in medical science and technology.

The image of medicine that emerges from most museum galleries and exhibitions is still dominated by pre-modern and modern understandings of an anatomical and physiological body, and by the diagnostic and therapeutical methods and instruments used to intervene with the body at the ‘molar’ and tangible level — limbs, organs, tissues, etc.

The rapid transition in the medical and health sciences and technologies over the last 50 years — towards a molecular understanding of human body in health and disease and the rise of a host of molecular and digital technologies for investigating and intervening with the body — is still largely absent in museum collections and exhibitions.

As a consequence, the public can rarely rely on museums to get an understanding of the development and impact of the medical and health sciences in the last 50 years. Biochemistry and molecular biology have resulted in entirely new diagnostic methods and therapeutic regimes and a flourishing biotech industry. The elucidation of the human genome and the emergence of proteomics has opened up the possibility of personalised molecular medicine. Advances in the material sciences and information technology have given rise to a innovative and highly productive medical device industry, which is radically transforming medical practices. But few museums have so far engaged seriously and in a sustained way with these and similar phenomena in the recent history of medical sciences and technologies.

The contemporary transition in medical and health science and technology towards molecularisation, miniaturisation, mediated visualisation, digitalisation and intangibilisation is a major challenge for the museum world; not only for medical museums, but also for museums of science and technology, and indeed for all kinds of museums with an interest in the human body and the methods for intervening with it, including art museums, natural history museums and museums of cultural history.

Contemporary medicine is not only a challenge to exhibition design practices and public outreach strategies but also to acquisition methodologies, collection management and collection-based research. How do museums today handle the material and visual heritage of contemporary medical and health science and technology? How do curators wield the increasing amount and kinds of intangible scientific and digital objects? Which intellectual, conceptual, and practical questions does this challenge give rise to?

The meeting will address questions like (but not limited to):

• How can an increasingly microanatomical, molecularised, invisible and intangible (mediated) human body be represented in a museum setting? Does the post-anatomical body require new kinds of museum displays?
• How can museums make sense of contemporary molecular-based and digitalised diagnostic and thereapeutic technologies, instrumentation and investigation practices in their display practices?
• How can museums make use of their older collections together with new acquisitions from contemporary medicine and health science and technology?
• What is the role of the visual vs. the non-visual (hearing, smell, taste, touch) senses in curatorial practice and in the public displays of contemporary medical science and technology?
• What can museums learn from science centers, art-science event venues etc. with respect to the public engagement with contemporary medical science and technology? And, vice versa, what can museums provide that these institutions cannot?
• How can museums draw on bioart, ‘wet art’ and other art forms to stimulate public engagement with the changing medical and health system?
• How does physical representations of contemporary medicine in museums spaces relate to textual representations in print and digital representations on the web?
• How can museums integrate emerging social web technologies (Wikipedia, Facebook, Twitter, blogs, etc.) in the build-up of medical and health exhibitions?
• What kind of acquisition methods and policies are needed for museums to catch up with the development of contemporary medical science and technology, especially the proliferation of molecular and digital artefacts and images?
• What kind of problems do museum encounter when they expand the acquisition domain from traditional textual, visual and tangible material objects to digital artefacts (including software, audio- and videorecordings, and digitally stored data) and non-tangible scientific objects.
• How can participatory acquisitioning, crowd-sourcing, wiki-based methods, etc. (‘museum 2.0’) be employed for the preservation and curation of the contemporary medical heritage?
• How can curatorial work in museums draw on medical research and engineering and on academic scholarship in the humanities and social sciences? And, vice versa, how can museums contribute to medical teaching and research and how can their collections stimulate the use of physical objects in the humanities and social sciences?

The conference will employ a variety of session formats. In addition to keynotes and sessions with individual presentations of current research and curatorial work there will also be discussion panels and object demonstration workshops.

We welcome submissions from a wide range of scholars and specialists — including, for example, curators in medical, science and technology museums; scholars in the history, philosophy and social studies of medicine, science and technology; scholars in science and technology studies, science communication studies, museum studies, material studies and visual culture studies; biomedical scientists and clinical specialists; medical, health and pharma industry specialists with an interest in science communication; engineers and designers in the medical device industry; artists, designers and architects with an interest in museum displays, etc.

We are especially interested in presentations that involve the use of material and visual artefacts and we therefore encourage participants to bring illustrative and evocative (tangible or non-tangible) objects for demonstration.

The meeting will begin on Thursday 16 September (noon) and end on Saturday evening 19 September, 2010.

100-300 word proposals for presentations, demonstrations, discussion panels, etc. shall be sent before 28 February 2010 to the chair of the program committee, Thomas Soderqvist, ths@sund.ku.dk.

A meeting website for registration and hotel bookings will be established in early January 2010. A number of hotel rooms will be prebooked.

Programme committee:
Ken Arnold, Wellcome Collection, London
Robert Bud, Science Museum, London
Judy Chelnick, National Museum of American History, Washington, D.C.
Mieneke te Hennepe, Boerhaave Museum, Leiden
Thomas Soderqvist, Medical Museion, University of Copenhagen (chair).

Local organising committee:
Anni Harris, Bente Vinge Pedersen, Carsten Holt, Morten Bulow and Thomas Soderqvist, Medical Museion, University of Copenhagen.

For further information about the academic programme, please contact Thomas Soderqvist, ths@sund.ku.dk. For practical information about travel, accommodation, etc., please contact Anni Harris, konference2010@sund.ku.dk after 4 January 2010.

The conference is hosted by Medical Museion; further information will be posted on the museum’s website (www.museion.ku.dk) and on this blog.

One of the challenges for a museum of medicine intent on collecting recent and contemporary medical artefacts is to get an overview of the historical development of medical instruments, medical technological systems and the medical device industry.

Trade shows and their catalogues (published or online) are excellent sources. But memoirs and reminiscences of people who have been engaged in the trade show business can also be useful —  they add a more personal perspective to the dry historical data, they are more fun to read than catalogues, and you can probably construct a useful picture of trends by piecing their more or less idiosyncratic stories together.

Take for example Wolfgang Albath, a pioneer in laboratory medicine and one of the founding organisers of the world`s largest medical trade show, MEDICA in Düsseldorf,. He has just summarized, shortly, his view of some of the important trends in the last 40 years of medical hospital technology (in the 12 Nov online issue of European Hospital):

Medica trade show 1974

In summary, his view of the recent history can be described in three words: mechanisation, automation and digitalisation. When MEDICA started (in Karlsruhe) in 1969, it focused exclusive on laboratory diagnostics. Most lab analysis were then carried out manually and in pretty small series.

One of the few automatic systems was the Technicon Auto-Analyzer, introduced around 1960; for a contemporary evaluation of it, see here): “Based on a system of continuous flow analysis [the Technicon AA] revolutionised lab diagnostics and paved the way for analysers to work through organ-specific parameters in batches”.

In the 1970s came immunofluorescent techniques for detecting auto-antibodies and infectious agents, and in the 1990s advances in molecular biology opened new diagnostic opportunities at the picomolar level.

Iinformation and communication technology has not only made possible automation in the clinical lab, but all kinds of hospital practices. The first patient monitoring systems, which are now taken for granted in intensive care and neonatal unit, were introduced in operating rooms and wards in the mid-1960s. In the clinical laboratory, computer development made possible large-scale diagnostic tests in the 1970s.

Another area which depends heavily on IT  is radiology and medical imaging. In the 1960s “the triumph of real-time ultrasound diagnostics began”; in the 1970s came the CT-scanner; the first digital image archives, radiology information systems and laboratory information systems arrived in the mid-1980s; about the same time came MRI, and in the 1990s PET. 3D reconstructions of CT, MR and ultrasound images also became possible in the mid-1990s.

Surgery too has undergone enormous technological changes; eg., keyhole (laparoscopic) surgery began in gynaecology in 1969; the first keyhole gallbladder removal was performed in 1985 and in the early 1990s keyhole surgery in the abdomen. And then there is laser technology which has “lit up the medical sky” for 30 years, not least in ophthalmology, where doctors hardly cannot imagine work without lasers today.

While we are waiting for the sequel to Joel Howell’s seminal Technology and the Hospital: Transforming Patient Care in the Early Twentieth Century (Johns Hopkins University Press, 1996), reminiscences like Albath’s are among the best ways to get an overview of the complexities of the recent history of medical technology. I haven’t made a systematic search for memoirs and reminiscences of similar kinds — but I’m convinced there are many out there, although they can be difficult to find.

(Btw, for a useful academic course syllabus for the history of medical technology, see here).

… I just found a blogpost titled: Coffee, Sex, and Other Weird Ways to Not Get Sick. It lists seven weird ways for helping your immune system:

1. Kiss (and while you’re at it, have Sex)!
2. Listen to music.
3. Walk Really Fast, But Don’t Run!
4. Don’t Blow Your Nose.
5. Get Hot!
6. Avoid the Desert (or any hot and dry climate).
7. Drink Coffee!

Even if this list of great advices may seem a bit, well … unconventional, it reminded me of the many everyday health practices people perform that never become displayed in medical museums. These practices are (for good reasons) not institutionalized, but are nevertheless integral parts of the lives of thousands of people in the Western world.

From a museum point of view, it is not exactly easy to collect such aspects of public health culture. Has anyone done that (yet)?

Is it really the case that almost all museum exhibitions dealing with medical themes these days are displaying DNA-images and colourful neuroscanning pictures?

Well, at least this is what the organisers of a meeting in Dresden next April seem to be suggesting. I think they are exaggerating a bit :-). But that said, the theme of the meeting — KörperGegenwart, neue Technologien, neue Sammlungen [contemporary bodies, new technologies, new collections] — is right on the spot.

The point of departure for the meeting — jointly organised by Zentrum für Literatur- und Kulturforschung in Berlin and Deutsches Hygiene-Museum in Dresden — is that the colonisation of the body by means of the life sciences has resulted in a gradual retreat from the immediately visible and material body.

An invisible biomedical body

The concepts, models and findings of contemporary biomedicine defy immediate visualisation, collecting and conservation. Therefore museums like Deutsche Hygiene-Museum, which was founded with the purpose of displaying the body, find themselves in an entirely new situation.

I couldn’t agree more — this is actually the central point in the paper on biomedicine as a challenge to museums that Adam, Camilla and I have just published. So we have every reason to participate (if we can: the meeting language is German and my German is rusty at best :-).

Rusty or not — it’s worth participating, because the meeting will address three types of timely questions for medical museums: first, the history of the techniques, tools and concepts by means of which the human body has been cut, dissected, interpreted and displayed; second, whether current biomedicine has made the body immaterial; and third, how the new biomedical body affects museum collection practices.

The meeting takes place 22-24 April next year. Read the call for papers here. If you want to participate, send a note to Stiftung Deutsches Hygiene-Museum, tagungszentrum@dhmd.de, or contact one of the four organisers: Sandra Mühlenberend (sandra.muehlenberend@dhmd.de), Susanne Roeßiger (susanne.roessiger@dhmd.de), Uta Kornmeier (kornmeier@zfl-berlin.org or Katrin Solhdju (solhdju@zfl-berlin.org).

We are of course not the only museum that struggles with how to juggle art, science, materiality and medicine in our exhibitions. Next Friday, 4 December, the Museum of Archaeology and Anthropology at University of Cambridge is organising a most interesting afternoon symposium titled ‘Assembling Bodies: Art, Science & Imagination’.

Curators and artistic contributors to MAA’s current experimental exhibition with the same name will explore techniques of investigation and presentation — including relationships between the body and material things, the potential of exhibitions as research projects, incorporating different sensory engagements in museum display, and accommodating multiple audiences.

After an opportunity to see the current exhibition there will be four presentations:

Anita Herle, ‘Exploring the body in the arts, social and bio-medical sciences’:

How do we know, experience and create different bodies? How have different bodies been imagined, known and acted upon in different times, places and disciplinary contexts? This presentation will examine the creative potential and challenges associated with curatorial techniques of assemblage and juxtaposition.

Mark Elliott, ‘Putting the pieces together: negotiating parts and wholes in Assembling Bodies’:

Exhibits about the measurement, classification and distribution of bodies highlight ways in which fragments, measurements or representations can ’stand’ in for larger categories or entities, such as body, type, or human. This paper considers how the curators negotiated the relationship between parts and wholes, highlight the contingency as well as the potency of some of the technologies that make bodies visible.

Jocelyne Dudding, ‘Shifting images: Using ‘anthropometric’ photographs in museum display’:

This paper discusses the historic use of ‘anthropometric’ photography in the collecting and classifying of information of human bodies. It explores how anthropometric methods of photography were followed in some instances, and resisted or ignored in others, why other photographs were recontextualised and used as ‘anthropometric’, and how contemporary artists have responded to such classification.

Bonnie Kemske, ‘Capturing the Embrace: a sculptural engagement with Merleau-Ponty’s ‘lived experience’:

The inclusion of ceramic ‘hugs’ in Assembling Bodies challenges the dominance of the visual within exhibitions, makes us question our perceptions, and leads us to a more engaged understanding of personal relationships to art. Capturing the embrace as ‘cast hugs’ engages the body’s sense of touch as a way to merge the body as subject with the sculptural object: ‘… not the thing on its own, but the experience of the thing.’ [Merleau-Ponty 1962]

Admission is free, but spaces are limited. Mail liz.haslemere@maa.cam.ac.uk to reserve a place. If it wasn’t for the damned carbon footprint I would be tempted to fly Easyjet Cph-Stansted-Cph for a one-day trip. Why not videocast the presentations?

Last year we had a discussion on this blog (see here and here) about whether objects ‘talk’ — no, they don’t! But do they ’die’?

The UCL-based Autopsies group (associated with Film Studies) suggests they do. The group runs a cultural studies project called “Autopsies: The Afterlife of Dead Objects” to explore this morbid issue. Here’s how they reason about the ‘death’ of objects:

Just as the twentieth century was transformed by the advent of new forms of media—the typewriter, gramophone, and film, for example—the arrival of the twenty-first century has brought the phasing out of many public and private objects that only recently seemed essential to ‘modern life.’ What is the modern, then, without film projectors, typewriters, and turntables? How has the modern changed as trolley cars disappeared and hot air balloons were converted into high-risk sport rather than the demonstration of national pride in science and a crucial tactical mechanism of wartime? But what will our twenty-first century entail without mixmasters, VCRs, or petrol-driven automobiles? Does the ‘modern’ in fact program the death of objects? What is the significance of death for things that live only through such a paradoxical program of planned obsolescence? How can cultural historians and theorists participate in the reflection on the ends of objects, from their physical finitude to the very projects for their disposal, the latter increasingly of concern with the multiplication of things that do not gently decompose into their own night.

In other words, what the Autopsies project actually tries to do is to reflect on the life course and ultimate fate of the material things we associate with ‘modernity’ — and dressing this up in the metaphor of ‘death’.

The ’death’-metaphor might be useful. For example, I guess you could say, in some cognitively productive sense, that science, technology and medicine are huge modern technoscientific systems for the production of dead things. Because the perpetual quest for creativity, innovation and progress, by definition as it were, continuously kills off ideas, concepts, theories, methodologies, instruments and practices of the near past, turning them into a dead objects — dead scientific objects, dead technologies, dead medical instruments, dead diagnostic procedures and dead therapeutical regimes. The killing of living objects and parallel production of dead objects is an inherent necessary side-effect of the innovation machinery. 

I don’t think the ‘death’ metaphor radically changes the way I look at objects. But it nevertheless introduces a slightly different angle to the way I understand science, technology and medical museums — from being repositories of cultural heritage, they can be seen as graveyards for dead scientific, technological and medical objects.

And for some reason I like the idea of conceptualising medical museum objects as ‘dead objects’ better than the notions of ‘talking objects’ and ‘evocative objects’ (that said, ‘madeleines’ is my favourite metaphor).

(thanks to Haidy Geismar for the tip about the Autopsies project)

Like most other kinds of historical artefacts, medical objects from the past are scattered all over. Some are safely deposited in museums, small or large; others are in private collections; others again are circulating between private collectors, mediated by eBay and other auction services (and some, especially plastic objects from contemporary medicine, are contributing to landfill).

Whereas most public collections are online, most private are not. An inspiring exception from this internet invisibility of private collections is Donald Blaufox’s Museum of Historical Medical Artifacts. Working as a professor in nuclear medicine at the Albert Einstein College of Medicine of Yeshiva University Dr. Blaufox has spent much of his spare time in the last thirty years building up a collection of medical artefacts “that could serve as a nidus for a museum of medical history as evidenced by the objects that contributed to its development”.

Some objects “were acquired simply because they have some medical significance, others for their beauty, but all of them because they help to understand the evolution of medicine over the centuries”. He didn’t have the ambition to transform it into a public museum, but entertained the idea of prodcuing a catalogue in book form instead. Then, two years ago, he decided to go online. Now the web-based MoHMA contains over 1000 objects representing a wide range of medical practices and of craftsmanship.

Nicely and competently curated and beautifully represented in images, the MoHMA website is yet another example of how important private collectors have been, and still are, for the preservation and communication of the material medical heritage.